![]() It was a picture of his project file and all it said was ‘Boominati_37_Bijan.’ I was like, ‘Holy fuck.’ He sent fire emojis. I was in a movie theatre, and I just see that Metro Boomin texted me. He only texts me if there’s something cool happening. I sent it to him and he hit me a week later. It was three instruments – the piano, the synth, and the bass. I sat down for a few hours and made four melodies and that was the last one that I made (Ric Flair Drip). For three years, I barely sent him anything. He was like, ‘Send me melodies.’ I don’t really make melodies. “ I built a personal relationship with him first, he’s honestly the nicest guy in the world. ![]() The duo make a seemingly lethal yet unassuming pair, and Bijan explains how he first built a relationship with the mega-producer: ![]() In addition to his work with PARTYNEXTDOOR, Bijan’s most credited work has come from co-producing “Ric Flair Drip” with friend and co-producer Metro Boomin. I’m like bro, I know what Sauga’ looks like in the night time, like I’m here.” Being from Mississauga, I used to watch his videos in highschool driving around Square One. I was unsure – I was hoping that he hadn’t confused the records. A couple days before the project dropped he sent the contract, but it was for another beat. I click on it and this was the first beat he liked. “ Artists love teasing their music on IG,” he adds, “I was going through IG and I saw he posted a video. The confirmation of the track being placed by PARTY was equally unsuspecting. Two and a half weeks had gone by and he gets back. “ I sent him the ‘Love Me Again’ beat and I didn’t hear anything. He laughs as he reflects on sending the artist a pack of beats, and processing his own self-doubt. So I DM’d him, and said ‘I appreciate you, but why did you follow me.’” I’d never spoken to him, and never talked to him ever. Two days later I wake up and I’m checking through my phone notifications and it just says that PARTYNEXTDOOR followed me back on Twitter – completely out of nowhere. I had been going hard for five years, and nothing was happening. It got to the point where I was like, man, producing’s never going to work out. He remains candid about the process of placing that record with the chart-topping R&B artist: The credit he references is “Love Me Again” from PARTYNEXTDOOR’s 2017 EP, Seven Days. But when it comes to a major label, PARTY was my first one.” I give a lot of my thanks to Sean because he’s really pushed me to be a better artist. I think he’s really one of the illest artists out right now. He affirms, “ Working with Sean is really great because I can really express myself. Now we’re on that global level, and we’re respected the same.”īijan maintains that his work with bourgeoning Toronto artists is some of his most valuable – specifically with Sean Leon. It took us ten times as much work to get out of Toronto than someone from Atlanta and LA maybe ten years ago because they’ve always been the music hotspots. “But after these huge artists broke out, we’re good now because we’ve been practicing. “ Toronto producers have been held down for some time just because of the limitations of the city,” he confirms. ![]() On the challenges that up and coming Toronto producers face, he offers realistic insight into the changing dynamics of the city. I’m grateful to have the relationships I have. It’s been a culmination of all the hard work I’ve put in, and mostly the relationships I’ve built. Before that, I was just making music because I liked to. Because unfortunately some people are really great at music and they don’t have that blessing until they meet the right person. I was like, I could make something out of this if I go hard and if I get a blessing. “ I was at the Battle of the Beat Makers. The path for every producer is different, but Bijan explains that he only seriously started pursuing a career in music 3 years ago: But, never any tutorials, and no classical training.” “ It’s all self-taught,” he says, “I never watched any Youtube tutorials or anything, but I had some help along the way. It’s a humble entry for a producer who has credibly become one of the most recognized, and quickly rising, young producers in the Canadian music industry. I googled the words, ‘Beat-Making-Software.’ FL Studio was the first thing that came up.” “ I swear to god, that’s the only reason,” he says, “It was like grade 6 or 7, around there. His laughter lights up the room as he continues to describe his early aspirations in music. We meet to talk about the producer’s recent accomplishments – including his internationally-recognized co-production credit for Offset’s multi-platinum single “Ric Flair Drip” with Metro Boomin. “ I got into music because I wanted to be cool,” Bijan Amir laughs as we sit down to begin our interview. Bijan Amir Tells How Co-Producing “Ric Flair Drip” Changed The Trajectory Of His Career
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